DIGITAL DOWNLOADS

DEAR DOWNLOADER!

This is my digital music store. Welcome! Make yourself at home. Okay, so what do these tracks cost?

Singles are $1 each. Albums are $10. EPs are in between.

Here's the deal.

In order for artists to eat, pay a few bills  and still have time to create new music, it helps a lot if their fans (hate that word but there it is) directly support those of us who spend mind-boggling amounts of time actually writing music and recording it. It's a very time consuming process and thousands of hours of my life go into it on a regular basis.

So, if you buy tracks on this site, you're doing a good thing because you're supporting the guy who created those tracks. Me. There's no "percentage" taken out and given to Warner Bros, Apple, Spotify or Amazon.

Please, consider buying some music and directly supporting me. I sincerely thank you in advance. Enjoy.

Arlin G.

GOD DAMN YOU'RE BEAUTIFUL

Arlin Godwin

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BANGKOK MATINEE

Arlin Godwin

Ultra Schang Music / ASCAP

This recording came from me watching "SKYFALL" way too many times and thinking I wanted to write me some Bond music. To me this sounds like something James would like. Shaken not stirred.

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BLUE

Arlin Godwin

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Ultra Schang Music / ASCAP

BLUE was originally recorded in 2000 in a home studio on the 14th floor of an apartment building in a suburb of Washington, DC. Two of the versions had been previously released with only one---the Ambient Version---still available on THE SECRET LIFE OF BOYS album. A recent search through many boxes of old DAT tapes and master discs turned up all 3 versions with no EQ or compression. In other words, just "flat" recordings with no enhancements. Which meant that being able to master brand new mixes with greatly improved audio quality was possible.

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Rush Push

Arlin Godwin

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Ultra Schang Music / ASCAP

I started writing this record immediately after The Secret Life of Boys was complete. Around this time I got a phone call from Robb McDaniels at INgrooves. He had heard the single "Boy Seventeen" from the first album playing on a radio station in San Francisco and he ended up signing me. I stayed until they began to want more and more money. And since they weren't doing a damn thing to promote me I eventually shit canned that contract and took over distributing my tracks on my own. This record has a lot of cool things on it. "Little Sister" was always a song that many people loved. I had a lot of fun making this because after the debut record I stopped worrying and really began to love the process of constantly recording.

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The Secret Life of Boys

Arlin Godwin

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Ultra Schang Music / ASCAP

The debut album recorded in any empty apartment in south west Washington, DC. This was the album that got me signed to INgrooves when CEO Robb McDaniels heard "Boy Seventeen" on a San Francisco radio station.

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